Ice Maidens 4. Mike the Cat 6.

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Contents • • • • • • Biography [ ] Hargrove was born in, Texas. He took lessons on trumpet and was discovered by when Marsalis visited the in Dallas. One of his influences was saxophonist, who performed in 's Band at Hargrove's junior high school. Hargrove spent one year (1988–1989) studying at Boston's but could more often be found in New York City jam sessions.

He transferred to in New York. His first recording there was with the saxophonist. Shortly afterwards he made a recording with featuring Watson,, and.

Moment to Moment, Verve, 1999. Hard Groove, Verve, 2003. Distractions, Verve, 2006. Nothing Serious, Verve, 2006. Compositions 'The Love Suite in Mahogany,' 1993.

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Trumpeter Roy Hargrove has firmly established himself as one of this generation's premier players in jazz and beyond. Hargrove was born in Waco, TX on October 16, 1969. Inspired by the gospel music he heard in church on Sundays and the R&B and funk music that played on the radio, Roy began learning the trumpet in the fourth grade.

In 1990 he released his first solo album, Diamond in the Rough, on the label. He was commissioned by the and wrote The Love Suite: In Mahogany which premiered in 1993.

If you're familiar with, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help. You can become a sustaining member for a modest and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Despite the nonchalance of its title, Nothing Serious may be Roy Hargrove's best disc yet. The first working band outing by the genre-leaping trumpeter since 1993's Of Kindred Souls features a cohesive quintet with alto saxophonist Justin Robinson, pianist Ronnie Mathews, bassist Dwayne Burno and drummer Willie Jones III, augmented on three selections by special guest trombonist Slide Hampton.

Dream of You, A 8. Pas de Trois 9.

This album, and the three succeeding recordings Hargrove made for the Novus label, were among the most commercially successful jazz recordings of the early 1990s, and made the young trumpeter one of the music ’s hottest properties. Still, unimpressed by stardom, Hargrove continued to develop his craft by performing with jazz giants such as saxophonist and trumpeter. As Hargrove ’s talents as a soloist matured, so did his strength as a bandleader. During the early 1990s Hargrove experimented with a variety of personnel, trying to build a tightly focused ensemble. As he told Rocky Mountain News writer Provizer, “No matter how many people you have in a group, you need to think as one. ” In 1992 he laid the foundation for future groups by hiring bassist Rodney Whitaker and drummer Gregory Hutchinson, who together comprised one of the finest rhythm units in modern jazz. By the release of 1993 ’s Of Kindred Souls, Hargrove ’s exacting taste and hard work had paid off: in the words of Chronicle writer Derk Richardson, he had found “the kind of unified group feeling that has distinguished the most fondly remembered acoustic jazz units, from the -Clifford Brown Quintet, through the classic bands of the 1960s.

• In addition to the MLA, Chicago, and APA styles, your school, university, publication, or institution may have its own requirements for citations. Therefore, be sure to refer to those guidelines when editing your bibliography or works cited list. Jazz trumpeter After recording his highly acclaimed first album at age 20, became a charter member of a precocious group of jazz prodigies known as “The Young Lions.

Hard Groove is the realization of a musical dream come true. The RH Factor is the identity that composer/arranger Hargrove has coined for the musical collective he's assembled for Hard Groove. Like a 21st Century Quincy Jones, the trumpeter has brought together a diverse array of musicians from his recent collaborative efforts to create an organic musical street party at the corner of hip-hop and bop, encompassing many of his musical passions-the slow-grinding soul of Funkadelic's 'I'll Stay' with a sultry vocal by D'Angelo; Common's free-styled rap intro on the aptly titled 'Common Free Style'; both Q-Tip and Erykah Badu bringing their distinctive hip-hop and R&B sounds to the party-like funk of 'Poetry'.

(Contributor) Teodross Avery, In Other Words, GRP, 1995. (Contributor) David Sanchez, Sketches of Dreams, Columbia, 1995. Family, Verve, 1995. Parker's Mood, Verve, 1995. Habana, Verve, 1997.

The performance effectively launched Hargrove ’s career, and though some writers later tried to promote competition between Hargrove and his mentor, the younger musician has dem- For the Record Born October 16, 1969, in Waco, TX; son of Roy Allan (a musician and member of the U.S. Air Force) and Velera Hargrove. Education: Attended Berklee School of Music, 1988-90; attended Jazz and Contemporary Music Program, beginning 1990. “Discovered ” by trumpeter, Dallas, TX, 1986; toured and; formed quintet and released first album, Diamond in the Rough, Novus, 1990; appeared with saxophonist at Carnegie Hall concert, City, 1991; premiered first extended composition, The Love Suite in Mahogany, Lincoln Center, New York City, 1993; participated in Verve Records 50th anniversary celebration, Carnegie Hall, 1994; offered series of master classes and clinics in the New York City public schools, 1994. Awards: Down Beat Student Music Award, 1988; first place, 1992 Jazz Times Readers ’ Poll; voted “Talent Deserving Wider Recognition ” in Down Beat ’s 1993 Critics ’ Poll. Addresses: Record company —Verve Records, Worldwide Plaza, 825 Eighth Avenue,, NY 10019.

Polka Dots and Moonbeans 10. Challenge, The 11. Nostalgia 13. Thirteenth Floor 14. Firm Roots 15. Trial, The Personnel: Jimmy Cobb Roy Hargrove - trumpet, flugelhorn Lewis Nash Ron Blake - soprano & tenor saxophones John Hicks Rodney Whitaker Gregory Hutchinson Ronnie Mathews - piano Stephen Scott Larry Willis Walter Booker - bass Jesse Davis - alto saxophone Karriem Riggins - drums Also: Christian McBride, David 'Fathead' Newman, Wynton Marsalis Download 182 MB 1995 R.Hargrove, C.McBride, S.Scott Trio - Parker's Mood Label: Verve.

'There is a positive aspect to playing music, and it makes a difference when you can reach young people around the country and tell them about jazz,' he told Down Beat columnist June Lehman. 'You may inspire a young person to do great things just by having music in their life.' Later in 1995 Hargrove released Parker's Mood.

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Mathews' potent 'Salima's Dance, first recorded by the pianist back in the late '70s, is more than worthy of revival. Hargrove lets loose on this modal composition with his most incendiary solo of the date, followed by Robinson, Hampton and the composer, each one equally electrifying. A series of exchanges with Jones and a collective improvisation by the horns drive the music to a compelling climax.

In June of 1995 Hargrove released Family, his second recording for Verve. As the title suggests, the album paid tribute to the musicians and relatives who played a significant role in the trumpeter's life.

Add young bassist Danton Bolder and the excellent drummer, and you have a band that can bring 's music fully to life. It is said that everyone learns from their mistakes, but if that is true, has gone far beyond the pale, and is flawless here, in terms of both concept and execution. The CD comes out of the box with four home runs -- an ultra hip contemporary version of the tune 'I Am Not So Sure,' a sweet 7/8 beat for 'Brown' with outstanding piano from, 'Strasbourg/St.

As Times writer Richard B. Woodward put it, his solos are a “string of sentences that read as paragraphs. Hargrove was surrounded by music from an early age, but it was his elementary and high school band director, Dean Hill, who sparked his interest in a performing career. Hill not only guided Hargrove ’s development as an improviser, but introduced him to a variety of great jazz musicians, including David “Fathead ” Newman, a legendary sax player who many years later joined Hargrove on his eighth album, Family. While working with Hill, Hargrove discovered the music of Clifford Brown, a brilliant trumpeter who recorded extensively in the 1950s; he died at age 25. It was Brown ’s example, Hargrove told Rocky Mountain News writer Norman Provizer, that gave the young trumpeter confidence in his own musical gifts. “That was the key that opened the door for me, ” he recalled.

Tracklist 01. The Left Side 02. Everything I Have Is Yours/Dedicated to You 03. My Shining Hour 04.

Of Kindred Souls, Novus, 1993. Windows 7 theme 3d fully customized 2011 free download software. Approaching Standards, Novus, 1994. Roy Hargrove Quintet with the Tenors of Our Time, Verve, 1994. (Contributor) Johnny Griffin,, New York,, Verve, 1995.

(Contributor) Sonny Rollins, Here's to the People, Milestone, 1991. (Contributor) Stephen Scott, Something to Consider, Verve, 1991.

Down Beat, July 1994; August 1994; September 1994; August 1995. Essence, December 1991. Times, January 19, 1995. Metro Times (Detroit, MI), September 2, 1992. Newsweek, December 12, 1994.

RThe Roy Hargrove Quintet - Of Kindred Souls - Live Jazz, Hard Bop LOSSLESS (Seperate FLAC+Log+Cue) + Scans 364 Mb Total Time: 1:07:53 RS Release: May 11, 1993 Label: RCA/Novus Catalog#: 4-32 “ Trumpeter Roy Hargrove's fourth (and as it now turns out, final) release for RCA/Novus was recorded live at various clubs in the Midwest and on the West Coast, and it offers good clues as to why he left the label. It isn't so much that they did anything wrong; the mastering, mixing, mike balances, and sound are good throughout this session. But Hargrove senses that something has been missing in the music for RCA/Novus dates. There is a low-key feel to much of this music, even on tunes where he is doing superb technical maneuvering. Hargrove's discs are improving at an amazing pace.

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I have been unable to find that roster for that particular festival and since it was long ago I remember mostly Monk & Duke. Paul Gonsalvas played his legendary trademark twenty something chorus solo in between “Diminuendo and Crescendo in Blue” which was outstanding. The first jazz record I bought was Firstly, my Bro George was / is a Marine and he sent home his wax collection of LP's from Camp Pendleton CA before deploying to Okinawa in 1956 I think. Bird, Getz, Mulligan & Baker, Erroll Garner, Blakey's Jazz Messengers, Jazz at Newport 1956 and many more. I fell in love with Bird, Getz and Jeru & Chet for openers. Pres to my mind takes the all time Tenor Award and Budo, Piano etc.! However I digress Getz Long Island Sound and every other Getz record that I could find that was 1957 by then and I snuck in to Birdland for the First of many times before I was 18 ( Legal drinking age back then) It wasn't until just after my 18th Birthday that I was carded much to the bouncers chagrin as he recognized me as having being an established customer by then.

Thanks to for the addition Buy ROY HARGROVE - OF KINDRED SOULS music.

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